In the first episode of U4U Podcast, Kedesha Campbellanswers the title question, “How Do You Do It?”. Kedesha created U4U Podcast while on her self care journey. She decided to work on herself after realizing the effects of her new environment. She talks about avoiding a copy and paste approach to self-care and personal growth. She emphasizes individualized personal growth, mental health care, body positivity, self-care, and mindfulness. She also discusses being mindful of other people’s energy and being aware of the self. To study for the big test of “Who am I?” each person should study the good and bad. After all, it’s what makes us human.
Vintage Glamour is beautiful. The glamour shot photography of that era has no competition. The glamour shot changed Hollywood and the public’s view of the “celebrity”. The history of the glamour shot originated with printed 2 1/2 x 4″ cartes-de-visites during the American Civil War. By the 1930s, the glamour shot was perfected by celebrity publicity campaigns.
Vintage Hollywood has been a big staple in American culture, images of Marilyn Monroe and Audrey Hepburn are common but classic black stars like Dorothy Dandridge and Ethel Waters are rarely seen.
Vintage Black glamour needs to be celebrated. The women of the classic era paved a way for modern Black Hollywood. They displayed their beauty and talent when black representation was non-existent.
Kelis Rogers is a singer, songwriter, chef, and muse from Harlem, NY. The “first girl to scream on a track” stepped onto the music scene when her raspy vocals touched the hook of Ol’ Dirty Bastard’s Got Your Money. As a singer, she explores R&B, Hip Hop, Soul, and EDM. As a chef who graduated from the Le Cordon Bleu culinary school, she published “My Life on a Plate: Recipes From Around the World” and debuted her sauce line ‘Bounty & Full’. As a muse, she sets trends, influenced Pharrell’s style, and steps out the box. Kelis is severely and unfairly underrated; the cons of being ahead of her time. She is a trendsetter who develops style and music before it becomes trendy. She is not afraid to be different or authentic. With each album and endeavor, she reinvents herself and her musical approach. She continues to be Kelis while setting trends that will surface in the mainstream several years later.
368701 04: Virgin Records” newest R&B sensation Kelis attends Playboy Magazine”s Celebration of naming Jodi Ann Paterson “2000 Playmate of the Year” at a cocktail reception May 2, 2000 at Eugene Restaurant in New York. (Photo by George De Sota/Newsmakers)
Kelis Was Here (2006)
Flesh Tone (2010)
<> at Robin Hill Country Park on September 11, 2011 in Newport, Isle of Wight.
The DJ industry is no longer male-dominated. As the meaning of Disc Jockey evolves, the gender behind it does the same. Here are some mixes from my favorite female DJs. There’s a mix for each mood; when you’re mellow, hype, or in between.
Nothing New by Vashtie x Noumenon
sunflowers & melancholy by Sasha Marie
For Qyera & Junior by Quiana Parks
Love the Free Vol. III – The Prelude by Kitty Cash
Kenricka was featured previously in an Art Feature back in 2015. She is a visual artist now based in New York City. Her artwork stems from a sociological perspective. With digital animations fit for Adult Swim, she documents her thoughts, the demons that we face, the current generation and the society that has molded us. She has curated unique In Loving Memory T-shirts and her own zine featuring her artwork. View more of her work below and on her website.“Get this demon off my shoulder”
“Party with the Demons”
“You don’t want to know about me You don’t want to be around me Niggas want to call me family But they don’t ever be around me”
R&B has developed and adapted to the changing music scene. The Atlanta songstress, Sophia, is a part of the new R&B. She grabs influence from legends like Aaliyah and Sade. Sophia breaks out of the mold of traditional R&B with her unique vocals and Daft Punk samples. She combines pop, soul, and R&B. Her debut project, Love, So: The New Classic includes the single “Nas” and was released this past Valentine’s Day. Sophia has hit 12,000 plays on Soundcloud and has been featured on Revolt. Her body of work is relatable to love during the 20-somethings. The project takes you through the different phases of a relationship that ends: attraction, lust, falling in love, heartbreak, denial, and anger.
Listen to the project in full here, alongside a brief interview. Sophia describes who she is as an artist and what she likes about being a woman.
aafleur favorites: She, I Want You, Doin’ It Right, 20 East, Nas.
Who is Sophia? How do you describe yourself as an artist?
As an artist, I like to say what I feel. I’m laid back for the most part but I like being flamboyant. I just like to be myself. My personality has an emphasis on my music. I think for the most part it is alternative R&B, soul and pop but not too soulful.
Has your Nigerian background influenced your music or will it in the future?
I’m half Nigerian. My father is Nigerian. My mom met my father in a reggae club. Me and my sister live separate from my father but I want to get back into the culture sometime. I listen to the [Nigerian] music now.
I started recording in the summer of 2015. At the end of last year, I went through a rough time. My mom was sick, I was working for a mechanic. I started working with FL studios and then met up with TL On The Beat. I had a hard time finding consistent producers, sometimes they didn’t have time and were traveling. D Sims helped finish the Intro, Doin’ It Right, and BYOB. I was listening to Earth, Wind, and Fire when making BYOB. I finished the project at the end of last year. I named the project The New Classic because I felt like I had a late start in Atlanta. My mom was a single parent and my dad was going through immigration issues but I finally got it together. I felt like I needed to get on the music scene.
How has Atlanta influenced your music style?
I grew up with an African dad and was raised in Ohio. Growing up there, my dad didn’t want me to be “ghetto” but I learned that it’s ok to let your hair down and be yourself. At one point I wanted to rap but I decided not to. I sing-rap in my songs now.
Who are your influences?
Sade. Growing up when I was younger, in 6th and 7th grade, my voice was deep. My music teacher put me in the tenor section. She always made fun of me because my voice would stand out. Sade has a soft voice and she trained me to hit the bottom notes. Aaliyah is also my influence, my favorite part of her singing is going low. PartyNextDoor too, I love his sound and how it’s just him. I want my music to sound like my own experience.
What do you like to do outside of music that inspires you?
Work. Go to school. I’m not in school right now but I’m going to try to make these next 6 months work. With this extra year, I’m experiencing what it is to be a musician. My emotions drive my music, my best songs are written in 5-10 minutes. I started seriously doing music at Benjamin Banneker High School. I had a mentor at 16 years old who showed me how everything works.
How was it opening for Avant and Keke Wyatt? Was it hard to get the audience to like a different type of R&B?
I enjoyed it. It was a real concert stage, the energy was different. They heard my music but I didn’t know what they expected from me. When artists open for shows you have to give them a chance and they gave me a chance.
Do you feel like R&B is separated? Can the older generation get into the new forms of R&B?
As an artist, you have to know how to get to people. In my body of work, it’s consistent and you can manipulate the sound. Like Rihanna, I want to put out that kind of body of work where you can pick and choose from an album. I feel like I did that on my debut project.
What’s your goal with music?
I just want to be able to live off of my music, I don’t have to be extra famous or rich. For me it’s what I love, people are not bold enough to take the risks. If you don’t do what you want to do, you’re not going to be happy. If I have to go broke, I’ll do it.
What’s next for Sophia?
I’m taking it step by step. BYOB is the new single off the project, It will be out next week. I’m going to release more visuals. Maybe I’ll drop a new project. I just need to find what works for me.
What do you love most about being a woman?
I hate being a woman sometimes. Being a woman is interesting. We’re seen as sterotypically softer. We’re capable of bringing babies and building nations. Women are spectacular beings. We’re both strong and soft and we can pick and choose to be both at the same time. [For example] In Greek mythology, the women were sirens and sirens were soft, sour and sweet, they’re like sour patch kids. They have the ability to kill like we all do but it doesn’t mean we need to. That just shows how women are.
Rinny Riot is a blogger at missriot.com and Managing Editor at Black Girl with Long Hair, a beauty and culture website dedicated to black women. Rinny is based in Los Angeles, California, but Houston-the third ward to be exact-Texas is her hometown. Her style is extremely admirable + eccentric AND she’s a fellow Tame Impala lover. View my favorite looks by her below. Shoutout to the alternative black girls.
“I’m very aggressive on stage, and men usually don’t like aggressive woman. They usually like submissive women, or woman that pretend to be submissive.”
Betty Davis is a 60s-late 70s funk, R&B, and soul singer who was known for her free expression. Davis is the first NastyGal, known for her progressive, carefree image that was too advanced for the misogynistic media. Before becoming a singer and lyricist, Davis was one of the few international models of color at the Wilhelmina Agency. As an artist, she stood bravely in her female sexuality. She was fearless, unique and daring. Betty is responsible for Miles Davis’ experimental phase; she introduced him to new fashion and music trends. She is the force behind Miles’record, Filles de Kilimanjaro (featured Betty’s face as the cover) and Bitches Brew (M. Davis’s first gold record). Betty was ahead of her time with her sex-positive lyrics and raunchy stage presence. She stepped out of the boundaries of the submissive woman.
Betty Davis deserves a great amount of acknowledgment. She created her own genre, influenced Miles Davis’ reimaging , fueled M. Davis’ creation of Jazz Fusion, introduced him to Jimi Hendrix, James Brown, and Sly Stone,wrote songs for the Chambers Brothers and the Commodores, inspired the NastyGal brand and most importantly cracked the barrier for women in music to assert their sexuality freely.
Without her, we wouldn’t have artists like Lenny Kravitz, Peaches, JDavey, Outkast, Madonna, Erykah Badu, Prince (RIP), or Beyonce. Davis paved the way for many artists and was unsung. Thankfully, she has returned to the spotlight to share her story. The NastyGal film will be released in early 2017.
Watch the trailer below:
“…be true to your artform. And by that, I mean do what’s in your heart more so than what’s in your head.” – Betty Davis
Enjoy Davis’ 2nd studio album, They Say I’m Different :
Sarah Nicole Francois, 24, is an Orlando based creative, vlogger and owner of 000SPORTSWEAR///. With her badass style and experience with Marc Ecko, Francois is an unapologetic carefree black girl who is making her vision a reality. Her line, 000SPORTSWEAR, is futuristic, minimalist, and gender neutral. It’s as bold as she is. Her confident alternative aura colors outside of the boundaries of the black girl stereotype. See more of Nicole on Youtube, Instagram and her website.